A month?!

I can't believe it's been a month since I last posted! It only feels like a week. Guess that's a sign I'm getting old...

I've been busy. Lots of knitting and reading, but I also lost a week when I was laid out by a nasty head cold, and I've been getting out of the city to do some bird hunting with Idiot#1 on Saturdays. Sundays means knit class, so I've been spending a chunk of time prepping for that too. Maybe if I can get my life in order I'll post some pix... but that's a big maybe.

Work has been busy too. Usually is in September and October, but I'm already starting to see the slow down that's fairly standard for November & December.

Which is a good thing, because I've also started outlining a new novel for NaNoWriMo. Pretty excited about it. Don't know exactly what genre you'd call it—maybe you guys can help me? Characters are older teens, but it's not exactly a coming-of-age story, so maybe not typically classed YA. The main character is a regular teen, but the opening chapter is the beginning of the apocalypse and the people he falls in with are time travelers—a bit of a sci-fi element, yeah. Current world, current time. No fantasy beings, just people who seem normal but are actually time travelers. A bunch of teens trying to get from point A to point B in time, because they're being chased by other time travelers that want them dead. Fighting, yes. Killing, yes. End of the world, happening around them.

Any ideas?

Lethargy & LOTR

The lethargy and apathy kicked in on Wednesday morning, a result have having finished this last round of revisions. I mean, great, those revisions are done (almost...) but I was left with a bored sort of, "what next?" feeling.

Luckily, I already had a cure for the lethargy lined up: Lord of the Rings marathon. Because I'm cool like that. By nine yesterday morning I was set up with a pair of sweats, lots of pop and junk food, and all six discs of the three extended edition films.

And nothing cures lethargy like a day of sitting on the couch watching movies. It could have been a Harry Potter, Star Wars or Terminator marathon (don't roll your eyes, I already told you how cool I am...) the result is the same: Today, I feel like getting shit done.

Not sure yet exactly what I'm going to get done, but something. I still have some clean up and notes to make before that last round of revisions is really done. Then I can put that down until my beta reader finishes her notes. Maybe I'll do that. I've got another piece that's partially written that I'd like to jump back into, or I might start another ms right from scratch, because I've got an idea that's been rolling around in my head that I should probably get on paper.

Ah well, it's a beautiful day out there already and it's wide open for whatever I feel like doing. Can't go wrong with that.

S.

Real life.

Real life, it sure gets in the way of digital life, eh? I've been barely more than a ghost on here, fb, twitter, aw, and authonomy for the past couple weeks. First I was knocked over by the first cold of the season, then my mom came out west for a week-long visit here, and now I'm scrambling to get ready for Halloween, another season of teaching knit class, and my ten-day trip through California that starts in... 19 days! Ah!

Which also means I haven't had much time to write. Which sucks, because I hate putting down the first draft once I get rolling. Dang. 

What I have been able to get done with this first draft in the past couple weeks is... interesting. I think I was on about chapter eight or nine, when I realized that I needed to make a major change to the characters. Essentially, I had two female characters that were so similar to each other (both happy little friends of the protagonist) that I knew I could condense them into one character to move the plot forward faster. Which seemed like a great idea, until I held the idea up to my character grid and saw that I would be left with only two female characters and about eight male characters. Bit of an imbalance that I wouldn't be happy with.

So I brainstormed another solution. I can cut one of the men (who I already had some issues with in terms of character development) and use one of those two females in his place. It changes her essential purpose completely, yet still leaves her character intact. Instead of being a happy little friend, she's now a happy little friend with a seriously evil ulterior motive. Which makes her way, way more interesting and solves my initial problem. I'm happy with the idea.

Good thing I can at least brainstorm while ill / visiting with mom.

Normally, I'd just push forward with the story from here and worry about reworking those characters in the first edit. This time I think I'll go back and change it (rough and dirty though the changes may be) before I continue. It's a pretty major change, and I'll feel better about moving on if I just fix it now.

So if I can find some time to get back to writing before California, that's what I'll do...

Growth: Why I hope writing is like designing

Last post I talked about character development, and then I disappeared for a few days. Because I was busy busy developing characters ;)

Now I've got a full cast of well-rounded, multi-dimensional characters to work with, a solid 25K outline that covers everything right up to climax of the story, and I'm ready to start writing!

This is, of course, the best part of the project. And this time, I'm facing the challenge of a main character who interacts with—but doesn't speak to—any of the other characters until a third of the way through the story. Yes, challenge indeed.

Speaking of challenges, I'm also in the midst of learning how to critique others work. I'm beta'ing novels from two different writers and I've already found that it's a very different thing from critiquing my own work. Another interesting thing that's come up, is when one of the writers was worried I'd be offended by her comments. I assured her that I wouldn't be, but it led me into some further connections between my day job as a designer and my evenings and weekends as a writer.

I've mentioned here and elsewhere some of the similarities between the two. There is another aspect of writing that feels like design (and probably like many other jobs, but hey, this is my experience): Growth.

I went to college to study graphic design. My profs taught me the how-to and the rules of design, and then sent me off to give it a go. I laid out my ideas, thought they were amazing, only to have the Profs turn around and tear them apart. They showed me -- either gently or ruthlessly -- what I was doing wrong. Sometimes the feedback was bad enough to nearly put me in tears.

So I tried again.

For three years.

By the time I received my diploma I could hardly bear to look at the work I'd done in my first year--it was so hideous! I'd come a long way since then, and I never would have if I didn't have my professors and colleagues ripping my ideas and my work to pieces.
Then I went out into the Real World. I picked up a job in Calgary almost immediately after I finished school, designing trade show booths. That was four years ago. When I compare my early days there, to the work I do now, so much has changed. I've really learned to separate my ideas from myself—when someone hates my work, it's the idea they hate, not me. Thick skin, that was a big change. Also:

I'm faster. A job that would have taken 8 hours of design four years ago now takes me 2 or 3.

I'm better. I used to have to work through five or six different concepts with clients, making radical changes, before I got what they wanted. Now the design is usually signed off in two or three proofs, covering only minor revisions.

I'm smarter. Four years ago I struggled to see the problems in my own designs, what I could do or change to make the client happy. Now if a client comes back to me feeling unsure about how something works in the layout I can see immediately what I need to change to fix it.

What I'm saying with all this rambling is that I hope, when everything is said and done, that my writing evolves the same way my design has. I spend a lot of time writing, and I think what I write is good. Now I'm having beta readers tear it apart, and that can only be a good thing. I hope I learn a lot from seeing my work from their viewpoints. And I hope in a few years I'll be able to look back on my early writing and cringe.
I hope that, with time and effort, I'll be a faster, better, and smarter writer.

Has that happened for you? Or are you like me, looking ahead and just hoping?

Characters are people too.

I really, really love character development. I've written a solid outline (sitting at 22K words, still needs a bit of tweaking) and now I've moved on to some world-building and character development. For me, this works best because I know how the story goes, I know who does what and why, and I'm starting to have a good feel for what these people—characters—are really like.

But it's not quite a complete picture. Not yet.

To really flesh out my characters I use photos and character sketches. I try to cram as much detail into those sketches as possible: nicknames, meanings, relationships, dates, physical descriptions, strengths, weaknesses, internal and external conflicts, history, special abilities, distinguishing marks and personal items, habits, likes, dislikes, etc. I usually pull a photo off the web of someone who looks similar and use Photoshop to make a few quick and dirty changes to the appearance, where it doesn't mesh with what I have in mind for that character.

***fyi, the Mac program Scrivener is AWESOME for this kind of stuff. Go download the free trial right now. I'm not kidding.***

I like to start with a character's history. In life, I always find that the best way to understand a person is to understand their history, their background, where they come from. It can tell you so much about why they do what they do, or think the way they think. Once I have a history in place, other details fall in line. A unique twitch, habit or scar resulting from something in their past. A personal trinket or token they carry around from someone or some time in their life story. What drives him or her? What secrets is he or she keeping?

At the end of the day, I've got more than a name paired with a personality. I've got a person.

Because characters are people too!

Just a quick note

Super busy the past couple of days, at work and just... life in general. I've still managed to get some more outlining and storming-of-the-brain done on my WIP, but that's been about all. There simply isn't enough time in the day!

My boss came back today after being gone for three weeks on holiday. With a small staff in a small office, that kind of absence takes it toll on the rest of us, so I'm damn glad she's back. This should mean I can start, sometime in the next month, to work a normal eight-hour day again! Very exciting. Think of the possibilities. I might actually get to sleep again.

Anyway, I gotta cut out early. Lots to do... and miles to go before I sleep!

We have a title!

Okay, some success since yesterday's post:

I messed around some more with the synopsis, and did get Vera talking sooner. Not as soon as I thought would be necessary, but that led me to something else…

The working title: SPEECHLESS.

It might not stick, but it'll do the trick for now. I also came up with an external crisis that I like, and that meshes well with the rest of the story and characters. I got far enough along in the synopsis today that I felt like switching over to my first draft character grid.

It was a good thing I did. Right away I can see plot holes and… I don't have enough characters! Over the next few days I'll jump back and forth between the synopsis and character grids, filling in those plot holes and adding some more characters. I've already found another character floating around in the free space in my mind who fits in as a nice little antagonist with my current cast.

And what did I say about the trilogy split revealing itself in the process? It did :)

To be honest, I'm kind of looking forward to working with a character who doesn't say a peep until a third of the way into the story. It'll be a challenge, creating interaction and engaging the reader while limiting Vera to non-verbal communication. But a challenge is a good thing.

For a Monday, it was a good day! Must be because it's a holiday...

Back at it!

Started writing my next novel today. I don't have a working title to share with you lovely folks yet, but soon. I promise.

So, what did I decide to write? I'd been unsure about what to do next (see previous posts where I bemoaned this indecision) when Lisa Desrochers blogged about just such a dilemma. And I decided that, although I'd like to go back and work on the sequel to my first novel, to instead write something new, and in turn that I should write the fantasy novel (which turns out, might also be YA) that I really want to write. Fantasy might not be the cool thing these days, but who knows. Maybe this story will go somewhere. What really matters is that the story, the characters, have already become real in my head. I WANT to tell their story.

Long story short (har-de-har), I buckled down today and starting writing out the synopsis for the whole story. I got lots down, but I've already run into a bit of a dilemma: my main character doesn't speak (although she interacts with) to any other characters until like halfway through the story. That's gotta change.

I'm also missing some sort of key crisis or motivation. There's a tonne of internal conflict, but not enough external. Plus, I think this looks like a trilogy, and I'm not sure how much should go in book one, or where to split it. 

Tomorrow I'll go back and mess around with the synopsis, try to get Vera (the MC) talking sooner, and see if I can figure out what our external crisis is. Once I get those things covered the split should reveal itself naturally - I hope. With any luck, I'll have a good, solid synopsis done by tomorrow evening. Then next week I can start the chapter breaks and character grids...

And lastly, in other news, I joined Absolute Write the other day. Check me out right here!

Critique Partner...?

As I mentioned, summer in Calgary is winding down. My life is returning to normal and I'm writing once again. I've got three projects on my mind, and I'm having some trouble deciding which one I want to follow first. Rewrite book two of my Deyl Parker series? Write the high fantasy novel that's been hammering away at my brains? Or breakaway from my comfort zone and try writing my YA dystopian/sci-fi idea?

Whichever way I go, I realize I'm now at the point where I need a critique partner. Someone to kick the shit out of my first novel - an urban fantasy - and someone I can bounce new ideas off of. I'm open to critiquing a wide variety of genres in return: anything YA, dystopian, sci-fi, all fantasy genres, romance, chick lit, etc. etc.

So if you're out there searching for the same, send me a line: shayla.e.s (at) gmail (dot) com.

Ideas

Wow, a week has slipped through my fingers since my last post! I finished the final, polished and shiny version of my urban fantasy, I HAD TO FALL, and decided to take a break from any real writing and just focus on fleshing out some new story ideas. I've got a lot of them rolling around in my head, so I've spent most of the last week sitting out in the backyard, vodka cooler in one hand and laptop in the other, soaking up the sun and pouring out notes on those different ideas. Hard life, eh?

And somehow—this is a bit of a mystery—I managed to catch a cold. I can feel it right now, that itchy feeling in the back of my throat, combined with the sniffles... in June! Well, if it means I have to miss a few days of work to recuperate * checks weather forecast of sunny skies and +25°C *  then so be it.

I'll be getting back into the writing tomorrow, but first I have to decide which of my ideas I want to push forward with. None of them are strictly urban fantasy, because I wanted to try something new. Of course, all these ideas have different pros and cons in my mind right now...

Adult fantasy. Different world, different species, not set on earth. Think Michelle Sagara. I really like this idea because the world is already pretty developed in my thoughts, and I like the idea of doing some more inventive and creative world-building. The problem: I can see that, in my head, the protagonist is a strong, silent woman with her own powers that slowly come to light. In this sense, she reminds me so much of Deyl Parker from my urban fantasy that I worry I'd get bored writing her.

YA dystopian. Or sort of dystopian. I loved DIVERGENT and have always been a huge fan of THE GIVER and NINETEEN EIGHTY-FOUR. Just added the HUNGER GAMES to my "Good Reads" list. Thing is, I always wonder what happened to make these dystopian worlds the way they are. If you assume they're set in a future version of our world... what went wrong? War seems to be a common theme, but I find my mind wandering off on tangents imagining where humans screwed up to end up like this. So my YA dystopian idea actually happens during the apocalypse, the great cataclysmic event that results in a new world order. And the characters won't have miraculous teenage powers that save the world from changing. Instead they'll have to learn to change with it, to salvage what they can and move on. I really, really, really like this idea. Also, I see it from the protagonist male point of view, which is totally different from what I've written before. The problem: I can't see the world as well as I'd like. I can't decide if the characters are straight-up human, or if they've got a little extra juice. I can see what's happening, but I'm not sure of the stakes. Still, with a bit more brainstorming I think I could give this one a go.

YA romance. I like this idea because I already know the characters, I've already interviewed them in my thoughts. I want to write it from both the girl and the guy's point of view, which will again be different from anything I've tried, but I love the way that works in Desrocher's PERSONAL DEMONS. This idea isn't really paranormal, more of a sci-fi I think. There is definitely a bit of a time travel thing. The problem: I feel like writing in this genre might be beating a dead horse. After the whole TWILIGHT extravaganza it seems like everyone has written a YA romance. Maybe that's no big deal, but I have reservations about writing mine.

Adult sci-fi romance. Time travelers. What did I just say about beating a dead horse? Ha! But seriously, this idea doesn't seem as overdone, at least in my head. It's not anything super tech-savvy, just that the characters, pros and ants, move through time a lot more than regular ol' humans do. It's a bit of a war-time scenario, except that war is happening way in the future. I see the story from the male protagonist's viewpoint, which I'd really like to write. He's also something of a sidekick to the story's hero, which I find kind of intriguing, centering the story around someone other than the hero. The problem: Honestly, I'm just nervous about trying to write a sci-fi. Time travel is complicated. Michael J. Fox can tell you that much. I'm nervous about trying to keep all my time threads neatly sorted while overlapping them enough to add some complications to the character's lives.

So that's it for now. I actually have a few other idea snippets I want to get down on paper (digital paper, of course) before the end of the day, and maybe one of those ideas will the one I go with...

For now, any thoughts on these ideas? What do you think I should write next?